French Millinery Magic

Happiness in not in the mere possession of money;

it lies in the joy of achievement

in the thrill of creative effort.

~Franklin. D. Roosevelt

(Note: There are many spectacular images capturing the amazing beauty of Chateau Dumas and surrounding villages. Please allow time for your computer to load the images so that you don’t miss any. This is the eigth in the series on a millinery masterclass held in southwest France. Won’t you follow along?)

the studio

Chateau Dumas is spectacular. What could be more dreamy than a breathtaking “Monet-esque” 1700’s chateau overlooking the Impressionistic French countryside, meals created around superbly fresh Mediterrean bounty from local markets, lovely gardens, soothing lavender fragrances filling the air and a carriage house atelier dedicated for the millinery masterclass? Heavenly! It is the pefect foil for unleashing creativity long-dormant.

The second story of the 18th-century carriage house is home for the creative studio. Won’t you come up the east stairs with me to the atelier?

The millinery atelier is filled with all the paraphernalia for the masterclass — new and pristine vintage machines, solid wood hat molds, steamers, bolts of hat material, feather trimings, rolls of antique French ticking, and bits of trims, laces, mother of pearl buttons — all so inspiring. There are a few stunning straw hats beautifully displayed on antique hand-turned wooden hat stands.  I am totally smitten with the vintage sewing machine and the French ticking and trims! Simply lovely! 

 

the master teacher

The reason for all this swooning over this gorgeous French region and the chateau you ask? A millinery “artist-in-residence” week course taught by master milliner, Dillon Wallwork. Dillon has dazzled women with his spectacular hat creations, and has made them look gorgeous for at least 25 years. As a royal milliner to Her Majesty, Queen Elizabeth, his creative designs have been seen on covers of magazines and newspapers around the world. Dillon was the hatmaker-in-chief to Princess Diana, and has created hats for numerous other heads-of-state. He effortlessly creates breathtaking hats — hats and hatmaking are Dillon.Whew! What a pedigree! I am pinching myself to be learning from one of the best.

Dillon is a superb designer and master teacher. His knowledge and expertise about hatmaking are beyond compare. He nimbly works millinery magic with the simpliest or the most eleborate materials. It is with a bit of trepidation that I begin the intense and intimate-sized masterclass. Soon, the concerns are allayed . . . the teacher is a master indeed! He deftly provides kind, patient and expert instruction to those who have never even seen a hat being constructed  (c’est moi!). Yet, guides those with experience to the next skill level in hatmaking.

the masterclass

Dillon instructs and demonstrates the step-by-step process of hatmaking. My vocabulary expands to include new terms like panning, sinamay, hoods, sisal, parasisal and blocking. I learn that hatmaking is a very labor-intensive artistic craft, and has 10-12 discrete steps before the head is crowned with a chapeau!

The first step is covering the wood crown and brim blocks with ordinary plastic wrap. Yes, the kind found in your kitchen pantry. The plastic wrap makes it easier to remove the crown and brim shapes once dry. Then a wet, sturdy netting is put over the crown to give the hat finish and stability.

The hat material (either straw or sinamay for this masterclass) are dampened and stretched over the wood molds.

I use a lovely black straw and a fantastic natural straw that was woad-dyed the week prior. Isn’t the blue naturally-dyed straw from the woad plant simply gorgeous?!  It is from a centuries-old dying process made from the woad plant soley indigenous to this French region. It is a fascinating process of how the fabric dyes yellow, turns green once taken out of the cauldren and it comes in contact with oxygen, and then becomes the loveliest of blues in moments.

 Straight pins, thumb tacks and string help hold the straw in place in order to keep the shape of the hat once dried.

 

After the straw has dried on the wood mold, it is “panned” — carefully ironed to give it a natural artistic sheen. It is then gently removed from the wood mold using a white plastic bone (similar to corset boning in costume design).

Stitching by hand, the crown and brim are attached to one another. A petersham ribbon is carefully hand-stitched — using a nearly invisible tiny stitch to the inside of where the crown and brim are attached. The brim of the hat is trimed or turned over and neatly stitched.

Dillon instructs on making beautiful organdie roses. The edges of the organdie are effortlessly hand-rolled. Then, the organdie is magically shaped into gorgeous rosettes as if they are just picked from the garden. Dillon demonstrates the “prunning” and shaping of ostrich, duck, pheasant and other feathers to create fascinating designs to embellish hats. I love how feathers are curled — much like making curly ribbon bows for packages — with the blade of a scissors. Trimmings are added to the hat to finish it off, and making each hat truly one-of-a kind. 

special visitors

The millinary masterclass is thrilled to have Carol and Nigel Denford editors and publishers of The Hat Magazine out of London visit the class and learn about our progress in hatmaking. Their visit is quite lovely.

dreamy hats

We each make at least one complete hat. Some make more. The hats are all created uniquely, and there is a deep sense of accomplanishment. Stunning!

My nights are filled with dreams of attending more millinary masterclasses to be offered in the fall and summer. A girl can hope . . .

The final lovely sights of  a once-in-lifetime dream trip to France are just around the corner.

à bientôt mes amis!

Won’t you journey with me awhile on this amazing trip in a gorgeous countryside chateau? Other adventures are at: 

 French Dreams at Chateau Dumas.

 Inspiring Beauty at Chateau Dumas.

 Estivales du Chapeau {hat festival in France

 Creativity at Chateau Dumas

Heavenly French Lavender

Fabulous French Hat

Bon Appetite!

The Fabulous French Straw Hat

Be like Curious George, start with a question and

look under the yellow hat to find what’s there.

                                                                                  ~James Collins

(Note: There are many spectacular images capturing the amazing beauty of Chateau Dumas and surrounding villages. Allow time for your computer to load the images so that you don’t miss any. This is the sixth in the series on a millinery masterclass held in southwest France. Won’t you follow along?)

timeless traditions

Under an incredibly brilliant French blue sky,  Chateau Dumas grows more lovely with each new day. The colors and lighting in this plush Mediterrean region appear as if everything is in technicolor–it is breathtaking. The songbirds continue joyful merrymaking throughout the day, and the sporadic circada’s high-pitched drilling song reminds me it is midsummer. What splendor!

It is under this warm afternoon sun that some of the travelers in a millinery masterclass make a short journey to the nearby Chapeaux Willy’s. The vast fields of golden sunflowers nod cheerfully as the car races up and down the rolling hills on the narrow French country roads to the hot afternoon’s destination. Precisely groomed vineyards, stately apple orchards and fields of hay and corn are at every hairpin turn. Pink and golden stone cottages with ancient terra cotta half-round tiles that are surrounded by lavender hedges accentuate the picture-perfect countryside. I feel as if I have stepped into an Impressionistic painting once again.

Established in 1824 in the charming village of  Septfonds, Chapeaux Willy’s is a small artisan hat factory that has been in the same family for seven generations. It is here that lovely and colorful French straw, sinemay and wool felt hats are created using timeless techniques passed down through family members.

The centuries-old stone building is overflowing with shelving stacked with ribbons, silk flowers, bolts of colorful sinemay(fabric for hat making), straw hanks, and a wide variety of mystery hat making fabric rolls–some seem as if it is a very fine papyrus. 

le chapeau de paille français {the French straw hat

Each of those working at ChapeauxWilly’s bring pride, enthusiasm and artistry to their work as the centuries-old tradition of French straw hat making is demonstrated. First, hanks of woven straw braid are re-wound on a large, simple wooden “spool.”

Then, the colorful straw braid is stitched together using specially-designed sewing machines. Nearly all of the equipment is over 100 years old — these are workhorses of Willy’s. Each stitch is even and perfect–it appears to be stitched together effortlessly. But then again, some have been creating hats at Chapeaux Willy’s for over 40 years. When asked how many hats are made a day, one milliner just shrugs her shoulders, laughs and with a twinkle says in French–je n’est sait pas . . . l’amour d’I juste pour faire des chapeaux ! [I don’t know…I just love to make hats!].

 Within several moments, the straw braid is stitched together with the appearance of relative ease. A straw hat is partially completed. The edge is neatly finished with lightening-speed expertise.

The next step is to shape the hat using metal steam-fitted hat molds. Willy’s has hundreds of hat molds in various shapes and sizes that are interchanged on the steam presses to block the hat.

Each straw hat is finished with lovely embellishments…ribbons, feathers, flowers or sinemay. The traditional French straw is left plain.

the quest

Off to one end of the large room with the vintage sewing machines and hat material is an enormous display table stacked with hats that span the spectrum of the rainbow. Each is unique. The three stone walls surrounding the massive display are outfitted–ceiling to floor–with five-foot deep shelving over-flowing with hats of all shapes, colors, sizes and designs. A girl just has to try them all!

Whilst all the hats are lovely, and there is a plethora of millinery paraphernalia  . . .  I search for a fedora . . .  actually, a Panama for a classic kind of guy. There it is! The Real McCoy–an authentic Panama made with hand-woven straw from Ecuador.

Soon our little troupe of millinery-minded travelers from around the world journey back to Chateau Dumas with hatmaking material overflowing in the car’s trunk and spilling over on our laps. Memories of a fascinating afternoon at Chapeaux Willy’s linger long after the sun sets over this breathtaking countryside.

Whenever you wear your hat, your day will be special.

                                                                                             ~Margo Nickel

More about other lovely sights of  a millinery dream trip to France in the days ahead as they unfold.

à bientôt mes amis!

Read more at French Dreams at Chateau Dumas.

Read more at Inspiring Beauty at Chateau Dumas.

Read more at Estivales du Chapeau {hat festival in France

Read more at Creativity at Chateau Dumas

Read more at Heavenly French Lavender

POST NOTE: Thank you to Dillon Wallwork, our millinery master teacher, for graciously trying an endless stack of Panamas in order to find the perfect size 57! Merci beaucoup, Dillon — vous êtes si aimable! David feels so “GQ-esque ” in the Panama.

Estivales du Chapeau {hat festival in France

Grab your coat, and get your hat.

Leave your worry on the doorstep.

Just direct your feet, to the sunny side of the street.

                                                                               ~Dorothy Fields

(Note: There are many spectacular images capturing the amazing beauty of Chateau Dumas and surrounding villages. Allow time for your computer to load the images so that you don’t miss any. This is the fourth in the series on a millinery masterclass held in southwest France. Won’t you follow along?)

celebrating hat making

Down the hill from Chateau Dumas…around several hairpin curves along a narrow French county road… following  small signs directing travelers through roundabouts… lies the quintessential French village of Septfonds. 

Complimenting the brillant azure blue Mediterranean sky, gaily-colored straw hats in lime green, fushia, purple and golden yellows hang from age-old balconies and say “bienvenue!” to visitors traveling to this charming village.

It is all in celebration of the 17th- annual Estivales du Chapeau–the Internationally acclaimed summer French hat festival. Septfonds is considered the “cradle of the French straw hat.” Mme. Pétronille Cantecor (1770-1846) has been attributed as the founder of the straw hat of Septfonds, and was the creator of the first hat workshop in 1796. Imagine.

Septfond’s three-day festival is filled with a wide array of merry entertainment, amazing demonstrations, local cullinary fare, millinery fashion show and hat competitions include amazing designs sent from milliners and hatters from around the world. I wonder if we will ever have time to really study it all.

The festival ad is quite clever–the original is made entirely of millinery paraphernalia used for creating the perfect summer straw hat.

vintage straw hats

Our tiny troupe of lively millinery afficionados–new and old– from around the world are eager for the festivities as sounds of French music merrily draws us closer to the center of the celebrations. The first stop is an exhibition of vintage French straw hats. Amazing. I can hardly control the urge to try on the simply gorgeous hats.

Over 600 vintage hats were bequeathed to Mme. Dany Caussinus. In French, Dany tells how her benefactor told her that she wanted her to look after the straw and velvet hats, never sell them and someday she would know what to do with them. After 20 years of intensive research,  Dany carefully restored each of these historical hats, and now makes them available for displays at special events. Dany’s vintage hat collection has now grown to over 3,000 spectacular designs. It is so difficult to decide which is my favorite…which beautiful hat would you like to wear? They are all so amazing! I think I shall like to make these in a millinery class one day. Dream…again.

(More hats on the video/slideshow below. Just select the “play” arrow button over the photo image.)

hat competition

Reluctantly, I leave for the next exhibition of competition hats. Novice and master milliners and hatters from all over the world submit their one-of-a kind creations for the event. Some of the hats follow a theme–others are a bit more elegant. Certainly, all of the hat entries are amazing. A vote for my favorite is penciled on a small rectangle piece of paper and slipped into the ballot box. I hope my favorite hat wins the competion.

the festivities

Down the block . . . around the corner . . .  in the village square . . .  are festive white tents filled with scores of hats from designers and milliners from around the world. My companions are off to try on the amazing styles from different sellers.

There is a wide variety of musical entertainment — musicians playing an antique hand-cranked large French street organ to a  trio of Caribbean steel drums. Cyclists riding antique bicylcles circle through the market streets. It is quite lively.

artisan exhibitions

Many local artisans provide exhibition of timeless arts and crafts. The delicate bobbin lacemaking is breathtaking, How can the needleartists’ eyes see the ultra-fine thread and their hands manuever the bobbins into such intricate patterns? The straw broom making is quite interesting. Then, the next aisle features spinning dioramas and demonstrations, wood lathes turning out lovely hat stands of all sizes and handweaving golden braid from fresh-cut, fragrant straw.

straw hat making highlights

The exhibition highlight is the straw hat making. Fascinating. Men and women demonstrate the straw hat making process from beginning to end. The women stitch colorful straw braid together using specially-designed antique sewing machines. The sewing machines are powered by the women’s feet operating two treadles. The steam-fitted metal molds for the hat blocking are left to the men to attend. There are dozens of metal hat molds that are used to make the hat shapes. I am mesmorized by their skill and attentiveness to the art of straw hatmaking.

There is an announcement in French–the millinery fashion show is about to begin. The show highlights the designs of the International sellers at the festival. Lovely designs are modeled for nearly 45 minutes on the vintage wood runway. The colorful mistress of ceremonies is lively and humorous — the crowd frequently roars with laughter.

 

the perfect hat

At the end of a long row of vendors, Mme. Alexandra Marks from Liguria, Italy proudly displays her gorgeous creations. Each beautiful hat is unique and handcrafted from vintage hand-braided Italian straw. Many of the embellishments are vintage, too. Alexandra tells me that most of the straw is at least 6o-years-old. Time to find a perfect Italian hat. It is terribly warm and the hat will be cooler. It is so hard to decide…they are exquisite!

Michelle, a travelling companion, discovers a small treasure off to the corner next to the church–a vendor who makes custom hat boxes. Just what I need for the large Italian vintage straw sun hot (see photo above). Mme. Estelle Fontaine makes lovely hat boxes for festival treasures. We animatedly chat back and forth about the box requirement for the new hat–mostly in French, but a bit in English. Estelle carefully measures the hat. We discuss options for the handle and trim for the box. The hat box will be ready in two hours.

Lovely hats are everywhere. I wish we wore them more often in the U.S. A couple of my new European friends enjoy their new hat festival finds at the end of the day. What a lovely end to an amazing day. . .!

More about other lovely sights of  a millinery dream trip to France in the days ahead as they unfold.

à bientôt mes amis!

Read more at French Dreams at Chateau Dumas.

Read more at Inspiring Beauty at Chateau Dumas.

Read more at Creativity at Chateau Dumas

You may want to take a morning walk over at The Southern Daydreamer for more Outdoor Wednesday posts, or read about living a beautiful life at The Inspired Room.

I am hooked on French hats lately. Find out what others are hooked on at Hooked on Houses.

Creativity at Chateau Dumas

A man should hear a little music, read a little poetry,

and see a fine picture every day of his life,

in order that worldly cares may not obliterate

the sense of the beautiful

which God has implanted in the human soul.
                                                             ~Johann Wolfgang von Goethe 

(Note: There are many spectacular images capturing the amazing beauty of Chateau Dumas. Allow enough time for your computer to load the images so that you don’t miss any. This is the third in the series on a millinery masterclass held in southwest France. Won’t you follow along with me?)

looking upward

Discovering  Chateau Dumas in the tiny village of Auty, France is a study in creativity, beauty and inspiration. My travels to Chateau awakens my slumbering senses with panoramic views of the French countryside and villages. The colors, fragrances and rustic beauty of this Mediterarean region are mesmorizing. It is hard to take it all in.

Arrival at the 18th-century chateau feels as if I am tranformed into a French Impressionistic painting. My spirit is renewed with the expansive vistas, tranquil gardens and the country elegance of Chateau Dumas. How I wish I could linger long into the night in the gardens.

Everywhere there is a vignette, art or indoor and outdoor beauty that makes me pause and catch my breath. This journey to Chateau Dumas is what is needed for reflection and the rediscovery of creativity that has grown fallow.

Even the 300-year-old marble stairs to the second floor are amazing. I leave my sandals off at the bottom of the stairs and feel the cool, time-worn marble underneath my feet as I climb to the second floor. I wonder if horses raced up the stairs during the upheaval of the French Revolution or the Napoleonic Wars.

The elegant second floor hallway is stunning and is accentuated with several examples of neo-classical trompe l’oeil–a style of painting that gives an illusion of reality. I look several times above the doorway as the corbels appear nearly realistic and three-dimensional. Wait. Do the doors appear as if they are paneled? It is amazing how the contrasts of light and dark create an illusion of something that is not.

Contrasts in shape and texture abound on the second floor. The gorgeous striped French linen ticking frames the double French doors at one end of the hall and  luxurious, elegant red silk drapes the paned windows on the east side. Subtle nuances of pattern continuance mingle throughout the hall–the highly polished antique terra cotta floor tile laid on the diagonal, the illusionary diamond-shaped panel inserts on the doors and the antique flax linen heart with red embroidery set on a diagonally-placed terra cotta marble plant stand. Brilliant. The hall so creatively reflects balance and order that it feels quite tranquil.

There are four guest rooms on this section of the second floor–each unique and beautifully appointed. My breath is taken away by the beauty of these rooms. The guest room that I have is superb with a dramatic black chandelier, black marble fireplace, cameo-inspired border, gorgeous khaki green silk drapery–like a fine lady’s ball gown–that  frames the extravagant views of the French countryside in the valley below. A lovely antique French chair in the corner is tailored with finely-crafted handspun flax linen. There is a tasteful white French writing desk in the other corner. I think I shall become a permanent guest in this room–at least for the remainder of the summer…then into fall…or perhaps, until Christmas. Dream.

 

An ensuite bath is the perfect ending to the day with the deep-soaking claw foot tub set on a golden marble floor. Windows to the east let in the early morning sun, and the customized chandelier designed to look like rain drops provides subtle lighting in the evening. What more could a woman want?

Additional guest rooms are to the north on the second floor, too. The circular stairs to the third floor leading to more individually appointed guest rooms is exquisite. The wood banister amazing. I wonder what kind of wood was used on the banister.

millinery atelier

Across the manicured gardens is the Chateau’s expansive coach house–the second floor of the west wing is the dedicated millinery studio. The north lower level of the carriage house features a lovely little Chateau shop filled with vintage French linens, white-on-white embroidered sheets, pieces of machine and handmade lace, antique fine cotton night dresses/slips and rustic linen shirts, aged-silver and many other vintage French items. Local artisans’ jewelry, lavender sachets made with vintage ticking and linen, and fine French bath products are beautifully displayed throughout.

Exterior wall hugging stairs provides one entrance to the millinery atelier. Under the portico is another example of neo-classical trompe l’oeil opposite the teak garden bench. Clever.

I sneak a peak at the upstairs studio to catch a glimpse of what is to come in days ahead as we learn under the expert tutoring of Dillon Wallwork–a Royal Milliner– in a millinery masterclass (hatmaking). My anticipation for the masterclass grows–there are inspiring sample hats on display on four to five foot high antique carved wood hat stands, black and white striped hat boxes for our creations, sewing machines old and new, wood hat molds for crowns and brims and hatmaking supplies.

 

Off to the right on a display table is a brochure about the International summer straw hat festival held in nearby Septfonds–Estivales du Chapeau. Tomorrow. Septfonds is the heart of French straw hat making.

More about the millinery masterclass, one of the world’s great Estivales du Chapeau, a visit to a 1824 French hat factory and other sights of  a dream trip to France in the days ahead as they unfold.

à bientôt mes amis!

Read more at French Dreams at Chateau Dumas.

Read more at Inspiring Beauty at Chateau Dumas.

Today I am hooked on everything French. Find out what other people are hooked on.

Visit The Inspired Room for others’ inspirations about creating a beautiful life.

Vintage Artisan Bread Bags {les sacs de pain

If thou tastest a crust of bread,

thou tastest all the stars and all the heavens.

                                                               ~Robert Browning

tasteful simplicity

Frequently, the most satisfying meal features a simple loaf of freshly-baked bread.  What says “welcome home” or “I am so glad you are here for dinner” more than the heart-warming aroma of  bread that greets your family and friends at the door? Sharing a freshly-baked loaf of artisan bread is a wonderful and honorable hostess gift, too.

what is vintage is fresh

It is the end of a very busy day and I stop at a  favorite shop to visit with my dear friend. Knowing it was a long day, Mi graciously invites My Best Sweetie and me to her home for a serendipitous meal. A quick call home and it is all arranged. The aroma of a home-cooked dinner and fresh-baked bread warmly welcomes us at the door just 20 minutes later.

After a lovely dinner, our creative spirits are refreshed and we start designing in Mi’s well-stocked studio. Her studio is bursting with amazing inspiration–including one of my favorites–vintage millinery and trims. The guys discuss the latest projects in the woodworking shop–they are deep in conversation. 

 

Mi has a new collection of vintage linens. We start brainstorming projects with the new finds. One thing leads to another…soon the idea of creating bread bags for storing artisan breads or for gift-giving a warm loaf of bread to a friend emerges–les sacs de pain. I think we are inspired by Bob’s artisan bread served during dinner!

We select several embroidered and vintage printed linens. I scour the fabulous old-fashioned wood and glass front drawers in a tall, wood cupboard that was re-claimed from a shop in England. The well-organized drawers are filled with millinery from around the world. Dreamy…

Our imagainations are bubbling over with an endless succession of ideas! Soon, two les sacs de pain are created–one is perfect for a baguette and the other a boule loaf. The designs for several other bread bags are laid out ready for assembly on another day. I am reminded of the five-word acceptance speech at the recent Webby Awards given by Biz Stone:  “Creativity is a renewable resource.” Are spirits are renewed with all of our creativity. Do you have those moments when the more you create the more you are inspired?

fresh is best

When I bake bread, I hear Mom’s voice saying, “It is only good when it is fresh!” This saying is particulary relevant for artisan breads–crusty breads are best eaten fresh–usually within a day. Breads baked at Rose Cottage usually don’t last beyond 24 hours!

Often, we bake several loaves of bread at one time so that we can share with others. It gives us great joy to bring a still-warm crusty loaf as a “thank you” for dinner hosts or to share a loaf with a neighbor or two. What fun it will be to share some fresh artisan bread with another in one of the vintage les sacs de pain like the ones Mi and I made!

No matter how large or small it is, sharing is one way that helps to create a beautiful life at Rose Cottage. How do you create a beautiful life? For more ideas about creating a beautiful life, visit The Inspired Room.

Don’t miss all the fun! Julia is hosting a hooked on Fridays post party — visit Hooked on Houses.

(Thanks, Mi, for sharing the photos!)

What is your favorite kind of bread that makes you feel like you are tasting “all the stars?”

A is for {Grandmother’s} Amazing Aprons

remember when…

grandmothers wore aprons throughout the day… especially when they were in the kitchen? My grandmothers never kneaded homemade bread or rolled out a pie crust without first securing the apron strings of a bib or half-apron. Some of my most treasured keepsakes are Grandmother’s aprons. There is something special–almost magical–about Grandmother’s aprons! The aprons transform me back in time and bring back sweet memories…

The Kitchen Workhorses

As they were for our grandmothers, aprons are a great “tool” to help with multi-tasking that we often do throughout the day. They are true “workhorses.” An apron’s large pockets are perfect hideaways for an amazing array of necessities and are holders of collections of all sorts gathered during the day: a freshly-pressed linen hankie to wipe a tear (yes, I still iron my hankies!), a tube of lip color (to apply as needed–you just never know!), beans freshly picked from the kitchen garden, rose petals deadheaded on a quick garden walk-through, green and brown eggs gathered from le palais de poulet, a treasured postcard from someone special or even the cell phone.

 What kind of things collect in your apron pockets?

a little more looking back

My grandmothers had numerous aprons for different purposes. All were handmade–often from a gingham or cotton floral print. Sometimes, a feedsack cotton or “repurposed” curtain was given new life as an apron! (Grandmothers were very resourceful!) Among my favorite aprons are those with a simple cross-stitched pattern in the small checks on a gingham fabric. As a young girl, I often had an apron that was a miniature version of Grandmother’s gingham apron. How I loved to wear aprons to be just like Grandmother.

Vintage Aprons

Some of Grandmother’s aprons were decorative to coordinate with their dresses when they hosted a party. The decorative aprons were often made out of organdy, felt, chiffon, neeting or lace and showed off grandmother’s needleart skills. One of most treasured is a white linen expertly trimmed with an insert of hardanger the width of the apron skirt. Each year, My Best Girl wears the hardanger apron for the Swedish Christmas Eve celebration at Rose Cottage.

Hardanger Apron

true confessions of a creative frugalist!

I LOVE aprons! I wear an apron every day because I am sentimental and practical. My homey aprons give me a sense of connectedness with the women who came before me.  When I wear an apron, life seems less complicated. But I confess, I usually wear an apron because I’m a messy and often spill.  It sure is much easier to launder an apron than an entire outfit! Most of my every day aprons are of the utilitarian type and are indispensable. You know the kind–heavy, durable cotton–usually, not a pretty sight after baking or cooking all day in the kitchen! 

So when spotting the large bolt of vintage green and white woven fabric at Rose Mille on the bottom shelf in the back room, I just had to get some yardage to make some pretty aprons. Rose Mille’s checked fabric is not the kind of gingham most often found in the fabric stores now, rather it is a true “homespun” woven textile and has some weight and density. If you love homespun cottons you just have to get some!)

Green and White Woven Cotton, Vintage Ticking and Trims

Ribbons might also be added to my dream aprons to add another touch of beauty. Melissa over at The Inspired Room has more ideas about creatively using ribbons to beautify your home in simple ways…Maybe, I will be hanging my new-yet vintage-aprons in the pantry on a pretty hook using ribbons…

How are you bringing beauty into your life and home while being a “creative frugalist?”

The Old Becomes New for the Creative Frugalist

Now, I am dreaming of several new aprons… Each of the six new aprons will have a different bib front using a Bella Notte linen fabric sample, vintage trim or carefully selvedge crocheted lace edging from a troseau pillow, and vintage bakelite or celluloid buttons. Isn’t this a creative and fun way to be a frugalist in the 21st century? Certainly an interesting way to recycle, repurpose and resuse!

Vintage Red Glass Buckle and Trim

 

Two of the homey aprons will each have a fabulous vintage glass buckle. These glass buckles are just too lovely to pass up from Mi’s stock at Rose Mille! The red buckle is a perfect accent on the red gingham. The blue glass buckle will be used on the second apron. Then, there is the apron with…so tell me,

What would your dream apron look like?

Grandmother's Amazing Smock Apron - Cheerfully, helped to make many batches of blue-ribbon caramel rolls!

romantic millinery magic

a still life with a bouquet of flowers

The skies are gray at Rose Cottage, and winter’s uninvited chill is lingering a bit too long. Snow is once again in the forecast. I am longing for warm sunshine again! Are you feeling this way, too? Wouldn’t you love to walk out to the garden and bring in a huge bouquet of freshly-picked flowers…spicy sweet pink roses, armloads of fragrant peonies and stately blue bird delphinium…into your home?

Maybe, a bouquet that is somewhat reminiscent of famous sumptuous Dutch oil paintings from the 17th century, such as Jan van Huysum’s Still Life with a Bouquet of Roses and Other Flowers? I can almost smell the old rose fragrance of the bourbon roses in that painting!

a reinvented 3-D still life

There aren’t any van Huysum’s and, in the middle of below freezing temps, the gardens are not in bloom at Rose Cottage! (Sigh!) So I envision my own version of a still life using a bouquet of millinery roses and other flowers. My still life will be a curtain tieback on the bedroom raspberry red buffalo check silk curtain. But, I will need to gather a lot of flowers–it needs to have the feel of a van Huysum!

Some of the bouquet’s elements are carefully wrapped in tissue and tucked away in a vintage hatbox. Other elements are currently in service in another small arrangement; time to “re-purpose” that one.

Lovely Vintage Millinery

Realizing there aren’t quite enough millinery for the voluptuous bouquet of my dreams, I am off to Rose Mille–just up the river, to pick more flowers for the still life. Mi has fabulous millinery to add to the bouquet!

The white silk rose from Dulken and Derrick gathered at Rose Mille is spectacular with the gently rolled petals!

Vintage Millinery Trio

 

 

 

Mi has a gorgeous small vintage piece of  “drapey” black velvet–perfect for the base of the bouquet!

 

 

For a bit of the unexpected, I decide to use a few pieces of vintage spun cotton fruit gently sprinkled with fairy dust–glass glitter.

 

 

 

 

Some Gathered Millinery and Spun Cotton Fruit

creating millinery magic

Now, it is time to create some millinery magic! Some of the little beauties need a gentle freshening. Mi glady shares a tip with me: simply hold the flower over a steaming tea kettle, and the petals will unfurl right before your eyes! It takes only a few minutes to liven up more than 50 pieces of millinery.

The black velvet is cut the length and width of the tieback needed for the curtain. I decide to use some pellon as a stabilizer between the front and back of the black velvet. Two six inch pieces of black silk cording are cut to serve as the hooks, and each are looped at each end of the tie back. The black velvet is stitched with the fronts facing, leaving a small opening. The velvet is turned right-side out through the small opening. The tieback is gently steamed, and the opening is whip-stitched closed. Now it is time for more fun!

Shades of White: Romantic Millinery and Great-Grandmother Myrtle's Needlecase

The millinery is laid out in a design that balances size, color and texture. The first step is to create a base with the vintage black and green velvet leaves. The leaves are carefully handstitched to the velvet.

Starting at the inside end (opposite of where the tieback hooks to the wall), the roses, apple blossums, flower buds and spun cotton are carefully stitched to the tieback.

After careful stitching, the romantic millinery magic is done! Time to see the results on the raspberry silk curtain.

 

 

 

 

Romantic Millinery Tieback (2)

 

What do you think about this still life of romatic roses and other flowers?

Can you leave me a comment below about how you have created millinery magic? Or just let me know what you think! Thanks for stopping by for a chat!

 

Woman Making Millinery Magic (c.1910)